The Carnival plays had many common aspects to them
that reoccurred during many of the plays that we were assigned to read. All of the plays were realistic, but yet
absurd. Although these adjectives of
description seem to contradict each other, it is true. They can be described as realistic due to the
lack of fantasy or events that have no possibility of existing, but also absurd
due to the unlikelihood of the events actually happening. In this way, I found that this set of plays
aligns with “Lysistrata” that we read last week. Another common aspect, in which I would like
to focus on, which is found among, not all, but many of the plays is the role
of women. In the majority of the plays
that was read, women played a strong, confident role and even mean or
manipulative. Like “Lysistrata”, I
thought that these plays were written in a time where women played a passive or
subservient role in day to day life. In
“The Wife in the Well” and “The Farmer with the Blur”, the women actually
played the “trickster”. As was mentioned
in the introduction, “The trickster is one of Sachs's favorite dramatic
characters.” In both of these dramas the
women used manipulation and scheming to achieve their desired outcome. In “The Wife in the Well”, she is
quick-witted and clever to come up with tricking her husband shortly after he
surprised her by locking her out. In
“The Farmer with the Blur”, it was the cleverness of the neighbor woman who
out-witted the husband-who was portrayed as gullible and weak. In other plays as “The Stolen Bacon” and “The
Evil Woman”, the woman is mean and controlling.
Obviously in “The Evil Woman”, due to her harsh words and reputation, but
also a little more subtly in “The Stolen Bacon”. He continues to express fear of what his wife
would do if she found out any of the bratwursts were missing. Again the male character is shown as gullible
and weak, due to the chicanery of the priest.
It is to be noted that in some of the plays, it is a man who is the trickster
or unkind one. This was surprising to me
due to the time period and is something that I focused on when reading the
plays, due to my interest in the role of women in time. I feel like the flexibility in gender roles
in these set of plays could be due forward thinking of equality or all for the
sake of comedy. This idea is consistent
with various interpretation of “Lysistrata”.
Its very interesting to me how easily gender roles can be warped in the name of comic reproduction. You make a great point about how the gender roles in Lysistrata (and other Greek plays) are generally one of the first elements manipulated with, as well as how this tradition has continued throughout literary history.
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