Friday, January 31, 2014

Carnival Plays: Significance of the Priest

Heinz: "That priest is a shrewd man."  (The Farmer with the Blur)

In The Stolen Bacon, The Farmer with the Blur, and The Grand Inquisitor in the Soup, the priest character fulfills a different purpose than typically expected of a religious figure.  The priests have hidden agendas and are more focused on themselves than the lives of those around them.

Hans Sachs is making quite a statement with these character types.  He is portraying the church as deceitful and self-serving.  Although priests are usually depicted as upstanding citizens with high morals, Sachs is asserting that priests steal from those around them and are not interested in the welfare of others.  This could be commentary on the society at the time when these plays were written.  Perhaps Sachs felt strongly that the clergy were being deceptive, and instead of saying it outright, he disguised his beliefs as  carnivalesque plays. 

In The Grand Inquisitor in the Soup, Simon is described as a simple-minded man, and he manages to outsmart the Inquisitor and not pay a fine.  To me, this is representative of the common man overcoming the oppressive church.  (I’m not saying that the church in general is oppressive, but that is how I am interpreting Sachs’ portrayal.)  Sachs could have been encouraging his readers to not fall victim to a priest’s scheme for money, but instead to stand up for themselves.  On the other hand, the priests could be representative of the government and its lack of compassion toward the citizens.

These plays made me think about a few questions:  Why does society expect a priest to have higher morals than the common citizen?  Do the priests in these plays begin their profession with a selfless attitude, then slowly transition to one of selfishness, or is the selfishness present all along?  Are there any upstanding and honorable priests mentioned in other carnivalesque plays?

1 comment:

  1. Very interesting questions you bring up!
    I had also noticed the corrupt priest theme. I agree that it was probably a statement on the times, but I also thought that they over villainized the priests to make the plays funnier to the audience. There were a lot of cheap comedy points that would be almost slap stick zingers in modern comedy.
    I also agree about the comment on the government aspect. Even today we have comedy depicting the corrupt government. Shoot, SNL does it every week. So, maybe these plays are like their version of SNL sketches: hilarious, and not meant to be taken too seriously.

    -Andrea

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